PackshotClean studio
A neutral image for catalogs, marketplaces and clean product pages.
Product scenes begin with an approved source photo and keep its identity recognizable while the presentation changes. Editorial artwork begins with an idea.
For a product scene, give the approved photo and the chosen direction to a reference-preserving image editor. If your agent does not have one, use a product-image workflow such as PixelHarbor.
Supplied product
Use the approved product photo in a reference-preserving image editor. Keep the product exact while the set, light, camera, crop and supporting objects change.
Browse product-ready directions
PackshotA neutral image for catalogs, marketplaces and clean product pages.
Pedestal setAdd depth and structure without competing with the item.
Campaign setUse brand color, hard light and copy space for a campaign image.
Material still lifePut tactile products in a restrained stone and water setting.
Start from a brief
Start from the story, not an uploaded product. Create a new image for a launch, article, research note or campaign.
Browse editorial directions
Conceptual 3DGive a new capability a clear visual idea without inventing a product shot.
Cut-paper collageTurn an abstract system or process into a readable article opener.
Generative lineworkMake experiments and progress visible without faking a chart.
PhotomontageBuild a visual metaphor for a change, tension or point of view.
After the job
An image direction defines the medium and production grammar. For original artwork, it shapes the whole image. For product scenes, use only a fidelity-preserving photography or rendering direction and keep the reference locked.
17 directions
P03Painting & painterlyPrompt + reference
Paint applied thickly enough to cast its own shadows, so the surface reads as a made object before it reads as a picture.
Best for: A hero that needs warmth and authorship without a photograph of a person
D05Drawing & lineworkPrompt + reference
Tone made only from crossing sets of parallel lines, so the drawing carries value and volume without a single grey fill.
Best for: Editorial and long-form article art that must sit next to serious prose
PR07Print & posterPrompt + reference
Two or three fluorescent spot inks printed in separate passes, where the misregistration and the overprint are the point rather than a defect.
Best for: Campaign and social tiles that need to look independent and hand-made at speed
R023D & renderingPrompt + reference
Deliberately faceted 3D geometry viewed through an isometric camera, so a whole system fits in one frame with no vanishing point.
Best for: Explaining a system, workflow or infrastructure diagram as a place rather than a flowchart
P01Painting & painterlyPrompt + reference
Transparent washes where the pigment visibly settles into the paper grain, so the paper does the lighting and the colour never goes opaque.
Best for: Section backgrounds and ambient fields that need warmth without competing with text

Illustration & editorialPrompt + reference
Opaque matte paint in flat shapes with the brush edge left visible, giving the graphic control of vector work with a physical surface.
Best for: Editorial illustration that needs to look authored rather than generated

Drawing & lineworkPrompt + reference
Tone laid in broad charcoal masses and then lifted back out with an eraser, so the drawing is built by removing light rather than adding it.
Best for: Editorial portraits and culture pages that need gravity

Drawing & lineworkPrompt + reference
One black ink diluted into a few fixed strengths and brushed on, where the empty paper is composed as deliberately as the marks.
Best for: Calm, restrained editorial for hospitality, wellness and cultural content

Print & posterPrompt + reference
An image cut in reverse into a block, where every white mark is a gouge and every black area is what was left standing.
Best for: Maker, food, craft and event brands where a printed artefact suits the positioning

Print & posterPrompt + reference
Flat printed colour areas drawn with a greasy crayon on a grained stone, so every flat has a soft granular tooth inside it.
Best for: Campaign and event heroes that need to feel designed rather than photographed

Collage & mixed mediaPrompt + reference
Photographic fragments cut and reassembled with the joins deliberately visible, so the picture argues rather than documents.
Best for: Campaign and editorial art about systems, scale, consequence or contradiction

Sculpture & physical objectPrompt + reference
A real object pinched and pressed by hand, photographed with the fingerprints still in the surface.
Best for: Brands whose positioning is craft, material or human-made

3D & renderingPrompt-steerable
A 3D scene with every material stripped to the same neutral matte, so only form, light and occlusion remain.
Best for: Explaining structure, assembly or spatial relationships without colour distraction

Animation, comics & sequentialPrompt + reference
Ink over pencil where varied line weight and placed solid blacks do the modelling, and the panel border is part of the composition.
Best for: Campaign and editorial art that needs energy and drama

Era & movement languagePrompt + reference
Stepped, symmetrical geometry built from arcs, chevrons and setbacks, where the ornament is constructed rather than drawn.
Best for: Hospitality, events and premium launches needing formality

Era & movement languagePrompt + reference
Simplified silhouettes in a deliberately limited overprinted palette, with dry-brush texture inside the flats and outlines that do not quite register.
Best for: Consumer, food, travel and family brands wanting warmth without nostalgia costume

Digital, generative & abstractPrompt-steerable
Dense fields of thin uniform strokes following an algorithmic path, where structure emerges from accumulation rather than from drawing.
Best for: Section backgrounds and ambient fields under text